Main page
Recent changes
Syntax
History
luc kerleo
!recordings -------------------- {br} {html}<a name="park"></a>{/html} {br} !!park {br} 17 pieces in a park {br} {html}<iframe src="https://archive.org/embed/luc_kerleo_Park" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>{/html} {br} -------------------- {br} {html}<a name="on-off"></a>{/html} {br} !!on-off {br} A succession of soundtracks, each during a few seconds to several minutes, separated with short pauses of silence. Each track could be a thing in itself: sound effects or short sound piece. The soundtracks do not have formal continuity between each other: acoustic as well as completely artificial sounds, various degrees of filterings and more-or-less important modifications on recordings of sounds of acoustic origin, various modes of sound syntheses. The various sound parts seem to be followed without bond of the one to the other and in an indifference to their environment. {br} {html}<iframe src="https://archive.org/embed/1--on-off" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>{/html} {br} -------------------- {br} {html}<a name="circus"></a>{/html} {br} !!circus {br} mechanics for atmosphere {br} building different places by repetitions {br} 36 frames {br} {html}<iframe src="https://archive.org/embed/circus_208" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>{/html} {br} -------------------- {br} {html}<a name="hors sol"></a>{/html} {br} !!hors sol {br} Each of these tracks can be seen as a compilation of all moments of a place, or a sounding situation, compiled into a microscopic sample of time. Ech track varies from the others by its colour and its spatial effect. {br} 15 tracks {br} {html}<iframe src="https://archive.org/embed/hors-sol" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>{/html} {br} -------------------- {br} {html}<a name="derives"></a>{/html} {br} !!dérivés {br} infinite modifications and variations {br} 4 tracks {br} {html}<iframe src="https://archive.org/embed/derives" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>{/html} {br} -------------------- {br} {html}<a name="baroque minimaliste"></a>{/html} {br} !!baroque minimaliste {br} One character per track, each acting in its way. {br} 25 tracks {br} {html}<iframe src="https://archive.org/embed/1--baroqMinimal" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>{/html} {br} -------------------- {br} {html}<a name="sans titre"></a>{/html} {br} !!sans titre {br} A mental story, a collage made of sounds collected in everyday life. {br} {html}<iframe src="https://archive.org/embed/sansTitre_201603" width="500" height="40" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>{/html} {br} This work was mostly an experiment about how human mind assembles elements into an ensemble. I thought: what if I provide the listening with some recordings put the ones after the others. {br} -------------------- -------------------- --------------------
Password
Summary of changes
Powered by
LionWiki
. Last changed: 2024/12/20 11:59
Erase cookies
Syntax
History